Second, the material presented is from a live recording of Monk’s touring group, which he maintained irrespective of criticism, accolade, economic difficulties, or monetary success. Considering Monk’s intractable sense of independence, such that he has become a symbol of artistic autonomy and perseverance, it is fitting that his music be returned to his family’s rightful control. First, this is the initial release from the Thelonious Monk estate archives, issued by Monk’s son’s label, Thelonious Records, which was founded in part to gather and release the plethora of Monk material either not yet available or extant only in bootleg form. There are three reasons for this, none of which have much to do with the music itself. In fact, given Monk’s lasting influence on the modern musical endeavor, there is a place for this recording in every music collection, irrespective of genre. So before proceeding any further, let it be said that the Thelonious Records release Monk in Paris: Live at the Olympia belongs in every music collection, including that of the jazz collector, Monk fanatic, Monk skeptic (do they exist?) and casual jazz fan alike. In certain cases, this same integrity demands overlooking the rules. Although critical accuracy and integrity are usually dependent on avoiding categorical endorsement and suggestions of purchase, there have to be some exceptions.
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